Prep for edit 240x faster

Sync, organise footage and build sync maps in 60 seconds.

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Find a plan that works for you

7-day free trial

$0/month

Use all features without restriction

Email for trial licence

Single licence 

$20/month
($240 billed yearly)
  • Sync (timecode only)
  • Organise into scene folders
  • Build sync maps
  • Stack multicam clips and more

all in 60 seconds

2 – 5 licences 

$13/machine/month
($160 billed yearly)
  • Sync (timecode only)
  • Organise into scene folders
  • Build sync maps
  • Stack multicam clips and more

all in 60 seconds

6+ licences

Enterprise plan

  • Offline licence management 
  • Unlimited training sessions  
  • Tailored solutions to fit your workflow

Frequently Asked Questions

No, Chop Chop runs within Premiere Pro and DaVinci Resolve. You don’t have to leave your NLE or import .xml files or anything like that.  

Video files with no corresponding audio files will be placed in the ‘Not synced’ folder (Premiere Pro) or the ‘Episode None’ folder (Resolve). Look in this folder for things like pick-up shots, drone footage, underwater shots and so forth.

Audio files with no corresponding video files will be still be placed in the correct folder and timeline, so as long as they are named correctly, atmos tracks can be easily located.

Each timeline will adopt the framerate of the first video file to be placed on the timeline. When filming, framerate affects timecode sync. It is thus recommended that all cameras jam synced to a piece of audio adopt the same framerate. Shots taken with different framerates can be recorded separately and, if not tied to any audio files, can be retrieved from the ‘not synced’/’Episode None’ folder.

If information such as episode numbers is missed out or wrong, use a free bulk renamer (Windows) or the native rename function on a Mac to quickly add or change multiple file names. Or, use Chop Chop Sync and Bin’s ‘manually enter identifiers’ function to help it along!

Yes. Chop Chop Sync and Bin uses source folder names to create tracks. To place different days’ footage on different tracks, place the files in source folders with different names e.g. Day1/camA_day1 and Day2/camA_day2. To place them on the same track, place the file in the source folders with the same names e.g. Day1/camA and Day2/camA.

For Premiere Pro:

  • Download the .zxp file from any of the ‘free trial’ sections.
  • Download and install the aescripts installer.
  • Use the aescripts installer to install the .zxp.

For DaVinci Resolve:

  • Download the installation package for your OS.
  • Double click to install.
  • Double click on the installation package.
  • Click ‘Done’ (and not ‘Move to Bin’).
  • Click on the Apple icon in the top left.
  • Go to ‘Systems Settings’->’Privacy and Security’
    Scroll down to the ‘Security’ section.
  • Click ‘Open Anyway’.

Your licence key will be emailed from Licensespring with the subject ‘Order has been created on Licensespring’.

Open Chop Chop (under ‘Window/Extensions’ in Premiere Pro and ‘Workspace/Scripts’ in DaVinci Resolve) and enable the licence.

You can change or cancel your subscription using the Manage Subscription button in the top right hand corner of the website.

Log in using the email you used when you signed up for Chop Chop Sync and Bin.

If you cancel your subscription, changes will take effect at the end of the billing cycle.

If you upgrade your subscription, the remaining value of your existing subscription will be deducted from the cost of the new subscription.

If you downgrade your subscription, you will be given a credit for the remaining value of your subscription.

Or, just drop us an email.

Try Chop Chop for Premiere Pro

Try Chop Chop for Resolve (Windows)

Try Chop Chop for Resolve (Mac)